All the parts for the Esbocos do Porto book were gathered together and time set aside to assemble the books.

To continue on from the last blog post that talked about inking a detail block without making a mess, I wanted to post my most recent...

A fellow artist proudly announced that he is creating original prints of his watercolors. “Really?” “Yeah, I manipulate the image in my...

A friend was asking about the challenge of creating a new block to print a background color to a reduction woodblock that is nearing...

I was asked what inspired me to create the crane woodblock. The woodblock was complied from multiple sketches made over a few years of...

It is always a joy to watch an image evolve from nebulous color fields into a definable image as each color layer is printed over the...

Have started work on a new woodblock of a nocturne scene in the Rio Grande Gorge. I print light to dark using the reduction process of...

Being open to change can be a bit challenging. The first challenge is to recognize a change needs to happen. As I was printing the last...

I always feel like I am reaching a turning point when printing an edition as I start printing the foreground on a woodblock landscape....

I was pleased at first with the woodblock "Evening Enchantment" but after looking at it for a day, I realized it needed one more color...

I spent a few days of printing at the Ann Korologos gallery for the end of July. I was situated by the front windows, working at a large...

Over 10 years ago I started to move away from oil based inks and using the Japanese method of printing. One of the first steps in that...

Someone asked about the details of inking a woodblock using the moku hanga process. For me, one of the attractions of the process is the...

One of the print processes I use extensively is called the Reduction Process. This is where a single block is carved between printings....